
We begin with the cloth. Cashmere graded by hand, wool flannel milled to a compact, fluid fall, silk woven on narrow looms for a heavier, more honest drape. The material is chosen first, and the garment is cut to serve it — never the other way around.

Every garment passes through the hands of our atelier seven times. The cutting, the fitting, the pressing, the setting of closures, the linings, the hand-finished seams, and the final balance. We work to the speed of the hand, because the hand knows when a line is true before the eye can confirm it.

A buttonhole set by hand has a soft roll — the silk chords are laid in and pulled until they form a raised lip around the opening. It takes twelve minutes to set a single buttonhole. There are six on the Luxama Coat. This is not nostalgia. The hand-set buttonhole holds its shape for the life of the garment.

The garment is balanced on the form for a full day before the hem is set, allowing the fabric to settle into its final weight. Linings are cut to breathe. Edges are skived by hand for a crisp, architectural line. The finish is what allows a piece to be worn for a decade — and to look better at the end of it than at the beginning.
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